There are two transfers of your rights that can take place through our site. This agreement covers this arrangement and describes it in detail. If your music is a cover work, we will try to obtain the license to the underlying work from Harry Fox Agency or a similar clearinghouse, and we will take care of the royalties required for the mechanical license. If someone wants to buy it, you and we split the price the buyer pays. We help you make that music available to the world. Our site allows you to upload backing tracks, whether they’re your original work or are covers, for sale to people who want to buy them. Enjoy the tracks!īackingtracks.pro Marketplace Agreement (Seller) Let us know how we can help you sound great. This ever-growing collection of professionally produced and recorded high-quality backing tracks are just what you need. We are so confident that you'll love these tracks that we offer a 100% Satisfaction Guarantee.Īs performing artists ourselves, we realize that you can't sound great without great sounding backing tracks to practice and perform with. You'll be happy and proud to play these tracks in any setting, at home or on the gig. Purchase individual backing tracks or take advantage of our bundle discounts - they're a great deal!Īll our backing tracks are immediately available to download as full-fidelity, CD quality 44.1kHz, 16bit. Browse by genre, tempo, key signature, track creator and more. We make it easy to find just the right backing track with our unique browse page. These tracks are great for guitar, saxophone, and all lead instruments. King’s famous rendition of ‘Thrill is Gone’.Do you need great sounding professional quality backing tracks for practice and gigging? Pro Backing Tracks offers quality backing tracks in these styles: Smooth Jazz Covers, Blues, Latin Jazz, Jazz Standards, Christmas, Smooth Jazz Originals, Jam Tracks, tracks for Keyboards Players, and more. In the key of A, this would be F to E7, than back to Am7 for the final bars 11 and 12. The descending effect of the progression is similar, but the mood is a lot more minor sounding. Instead of the classic V then IV in bars 9 and 10, the Minor Blues substitution is for a VI followed by a dominant V in these bars. VI-V Chord Turnaround: The last four bars is where the most common Minor Blues variation takes place. Dominant V chords in a this context sound slightly more sophisticated, and increase the sense of ‘pull’ back to the home chord. Major or Dominant V Chord: The V chord in a minor key is naturally a Minor 7th, however, in Minor Blues, this is frequently substituted for a Dominant V chord – a common minor-key variation that comes from the Harmonic Minor scale. However, when it comes to Blues, there are a couple of main minor-key variations you need to be aware of that happen so often as to be standard. All sorts of variations can be stacked upon each other, ultimately taking things so far away from Blues that you start to move into the realm of Jazz. Minor Blues has lots of possibilities, owing to the fact that there is more than one type of minor scale. (The Natural Minor can also sound extremely good, but you need to use it well.) The best fitting scales for Minor Blues are the Minor Pentatonic and Minor Blues scales, and, if you want to start adding a little extra spice, the Dorian scale. In contrast to Dominant Blues, in Minor Blues, you generally want to avoid the Major Pentatonic scale (unless of course you know what you’re doing and are going for a specific effect).
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